Reacher rocks again! He just falls into these situations, when he's totally trying to mind his own business. As the story begins, Reacher is standing on the onramp of an Interstate near Omaha, trying to hitch a ride to Virginia to meet up with a woman he only knows from talking to her on the phone. He's sporting a broken nose from his most recent mishaps and adventures, and isn't a likely candidate for most people to pick up in the middle of the night. Finally he's given a ride by three people who claim to be coworkers for an unnamed company, headed home after a long sales trip - two men and a woman.
However, the two men are a pair of murderers being pursued by the local sheriff and the FBI, and the woman is their hostage. The men have threatened to kill her if she tells Reacher anything, but they've picked both him and the women up in order to confuse the law enforcement types on the lookout for two men traveling by themselves. It doesn't take Reacher long to figure out that something is not quite right in this scenario, but before he can do as we expect and rescue the woman from her captors, he is left at a motel in the middle of nowhere after one of the men takes a pistol shot at him and misses, badly.
Reacher eventually hooks up with FBI agent Sorenson, a tough Scandinavian woman with a no-nonsense attitude, who nevertheless falls for Reacher's directness and honesty and agrees not to arrest him while they pursue the fugitives together. The whole situation is not exactly as it seems, and Reacher has stumbled into a massive counterrorism operation being run by a number of TLAs, full of double and triple agents, domestic and foreign terrorists, and just a handful of local yokels caught in the dragnet.
We don't see Reacher's usual emphasis on mano a mano physical combat in this book, but when the action finally comes, it's fast, furious, and bloody. I had a very tough time putting this one down at bedtime.
Oh, by the way, there's a description of Reacher on page 156. It sounds nothing at all like Tom Cruise. What's wrong with film makers these days?